Friday, 7 February 2025

Freemotion-Quilting For Beginners

I have been preparing for another workshop which is scheduled for three days in mid-February. This will be a workshop for beginner freemotion quilters so I had to alter my original workshop outline as it was just too intensive.
 
I have been freemotion-quilting now for a good 13 years and while I do have a general idea on how to start and what to teach I wanted to demystify the journey a bit. Started to do some research on the internet and was very surprised. There are hardly any sites that cater for the beginner...while they all talk about what you need in terms of freemotion-quilting (i.e. set up of machine, gloves, slider, needles etc) I have not found any real assistance in where to start and what to practice, i.e so I can stitch a bit...what now? If I was a beginner I would not know how or what to practice. This was really perplexing and somewhat disappointing. I guess some of the online workshops might address this issue though.
In thinking about this further I really struggled to identify what a beginner needs to learn until I thought further on what particular skill is needed to progress in your freemotion quilting journey. Here is what I did come up, five skills you will need to practice (and ultimately master) if you want to be able to progress and be able to finish those quilts that are waiting in the UFO pile.

1. Ability to stitch a line, either straight or wavy with a somewhat consistent stitch length and the correct tension on the machine, including stopping and starting with minimal wobbles.
Easier said than done. In my workshop we are going to stitch some straightish lines in different directions in a four-patch block, just up and down, then sideways, and for the adventurous also diagonally and discussing how else you could practice that (eg. stitching-in-the-ditch freehand or using the help of a grid). Following on from this we are going to learn how to meander or stipple. Always flagged as a beginner design I don't think that it is actually that easy to do, so we are going to spent a whole session on just that.
The sample above incorporates the next point.

2. Ability to follow a drawn (or stencilled) line. Once freed from the feeder dogs and able to doodle or meander, it's time to get more serious and start trying to stitch out simple motifs. Again, not that easy...you need a good dose of concentration and steady hand movements and speed to follow a line. However if people want to make use of motifs they found on the internet or stencils they bought, an absolute essential skill to have. When doing my research I read somewhere on a blog that stitching out a pre-marked design was not really freemotion quilting...I was a bit stunned at that because I was wondering whether the author thought that I sit in front of my 40in fabric square and just stitch out my wholecloth designs just like that, all freehand out of my head. No marks, no guidelines, no nothing...had to smile at that. I am good but I am not that good! Definitely consider myself a freemotion quilter though.

3. Ability to backtrack. Nobody (maybe myself excluded) likes it, however the ability to go over an already stitched line is something that the beginner quilter will have to learn not only for stitching out non-continuous motifs/designs but also to travel from point A to B over an already stitched line unless they want to tie off every five minutes.

4. Echoing a shape. Echoing about 1/8in from an applique shape or around a motif, but also useful for varying or extending an already known design. In the beginning the beginner quilter is probably only able to stitch out 2-3 designs which is absolutely enough to start off with. In order to make this a bit more interesting, echoing can be used to vary a design or even extend it while practising to become more proficient at the design.

5. Internalising the quilting path. My personal favourite...in order to fill a space, any space, the quilter will need to know and be familiar with the direction of the design, including direction changes. This does not come naturally, it is something that has to be practiced. In order to do this the quilter will need to know beforehand where they are going to go and what they are going to do well before they come to the point of a direction change. Improvisation rarely works out at this early stage as the beginning quilter is still preoccupied with executing the shape they are trying to do plus their hand movement and speed. I think structure is the answer to this, similar to going somewhere in the car. You certainly would not just jump in the car hoping to get to where you need to go somehow...you usually have a very clear idea which roads you are going to take to get to your destination.

So I build the workshop around those five points, keeping the designs to a minimum (just meander, loops and swirls) hoping to enable quilters to go on their actual quilts to practice or get themselves one of those cute panels you can buy and just follow the lines.  I did include some basic grid work on the last day as some people might find that easier than filling an empty space. This should be very interesting to watch...I hope that me building everything around those five points will make sense to people and sink in and provide a rudimentary roadmap for beginners to continue their journey. But most importantly, I hope that it will encourage participants to tackle their quilts.

Karin

Wednesday, 5 February 2025

Exploring Affinity Designer 2

Today was 41 degrees over here and definitely a day to just stay inside and keep as cool as possible.

I sat down at the computer with the intention to do some work on various things, but then ended up playing with the Affinity Designer 2 program.

As I have got the program on both the Ipad as well as the desktop there was some confusion for me about the duplicate function as it is executed slightly differently on the desktop. Wanted to explore this a bit more and also make use of the power duplicate function (just press some buttons and it spits you out a motif) and the POint Transform tool that you can use to rotate your shapes around.

Basically played for the entire afternoon starting with some simple shapes
The power duplicate function is awesome...I basically just have to tell the program the rotation I want in degrees and how many times I want to go around. My Point is in the middle on this shape.
Next came the feathers
These are not my drawn feathers but a shape you can use in the program. Personally I would angle my feathers more (there probably is a way to do this, except I don't know it yet)...but I just wanted to see how this worked. So again I made the shape rotate around the middle, however then used the shape tool to erase the centre lines so that the middle was clean.

Next I re-visited a motif that I had previously drawn up painstakingly in the program trying to align each heart shape exactly next to each other. I managed but it was not a 100%. I was sure there was a way for the computer to work this out for me in terms of the hearts just touching...and it did!

The point in this example was still in the centre but outside the actual shape. Very neat! I then played around with the swirls which were added to the program a few updates ago

Very cool


Tried myself at e's and l's which was surprisingly challenging to get the shape right. The power duplicate is also used here except that you tell the program how many times you want to repeat the shape in the horizontal.


A bit of ribbon candy

A drawn motif rotating around the centre
I spare you the grids except for this one which I thought was really cool


So glad I did this...such a powerful program. But like with everything you do have to practice and become familiar with all these different functions and keep practising as it is very easy to forget how to use some of this. Like the pen tool...I think I will have to watch a tutorial again to get that straight in my head...find the pen really difficult to use. 

Hopefully the weather over here will cool down a bit as I got some quilting to do!

Karin

Monday, 3 February 2025

Binding Experiments

First of all, let me tell you that I am no longer getting email notifications for comments left. I looked for solutions but found that I am not alone, nevertheless there does not appear to be an answer. For now, I do check my comments and will reply to any queries on the blog itself. 
The last few weeks I have been preparing for an upcoming workshop on FMQ. As I could not visualise the size of the practice sandwiches I ended up stitching some things out myself. Good fun but then I also got into the binding, i.e. how to sew the binding on quickly and easily by machine.

Consulted the net and a binding booklet I had from Bethanne Nemesh.

First one
I used a 2in binding strip and sewed it to the back, then bringing it around to the front and stitching it on with a straight stitch. That looked incredibly easy to do but I struggled with that...in the end I glued my binding in place before stitching so that it would not move all over the place. That worked fine, but the glueing took a while!

Second sample
For this one I stitched my binding onto the front like I usually do. Again could not cope with pins or clips and ended up glueing it to the back. I found this incredibly laborious. This time I had used a 2-1/4in binding as suggested in BethanneNemesh' binding booklet. Initially I was going to stitch-in-the- ditch on the front through to the back but I did not like the lip that was left on the back, so I used a decorative stitch to secure the binding. That worked reasonably well, except for the time it took me to glue everything in place.


Third sample
That one was a bit of a disaster...stitched the binding onto the back, then brought it to the front and secured it with a decorative stitch again. Again used a 2-1/4in binding but did not glue it this time but basted it by hand in place. Also not very fast at all and the finish is somewhat hickledy-pickledy. Definitely not straight.
 

Fun little exercise, not sure I gained that much from it...I could have hand-sewed the binding on these three little pieces in no time at all. I think the method that could possibly work for me would be sample no. 2 where I sewed the binding to the front and then secured it with some sort of stitch. If I was to opt for a in-the-ditch stitch I would definitely make my binding 2in wide so the lip in the back would not be that large or I would opt again for a decorative stitch. Not sure though about the glueing everything into place...that took me a while even on such a small piece.

Karin

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